Czech That Film is an annual traveling festival showcasing the best in contemporary Czech cinema in theaters around the U.S. A schedule of showings and events can be found here – www.czechthatfilm.com
Nazi movies are a dime a dozen and why not? World War Two is the historical event of the last century most of the world over, and, when the last big things in American history were the Civil War and the West, there was no shortage of westerns, either. Though, like with Westerns, the process of becoming a genre carries with it inevitable clichés, well-trodden paths and obvious drum beats. More importantly, it also carries the weight, so often elided in westerns, of working out your place in history, and history’s place in yourself. Perhaps there’s always a new Nazi film around the corner because we still haven’t exorcised the ghosts of that war, still haven’t resolved the great evil it embodied and unleashed upon the world. Not perhaps – certainly. At least, that’s certainly what lies behind the recent Czech film The Devil’s Mistress, currently being shown on a film tour of contemporary Czech cinema around the U.S. Though a fairly straightforward biopic of the silent film star Lida Baarová (Tatiana Pauhofová), Filip Renc’s film is only as it could be made in the Czech Republic – replete with the sense of doomed history, moral compromise, and the essential mysteries of motivation, love, and personal culpability.