At their weakest, horror movies can be boiled down to one or two “gotcha” elements, thematic or environmental springboards which carry the weight of the vulnerabilities and anxieties supposedly expressed in the piece. TVs in The Ring, showers in Psycho; at their strongest, however, theme and environment are one and the same – the shower in Psycho is not scary because showers are vulnerable and scary, though they are. The shower in Psycho is scary because Norman Bates is scary, and Norman Bates has a key, and a peephole, to that shower. He has a way into our intimate places, and can expose and exploit our secret vulnerabilities. Unfortunately, The Noonday Witch is not one of these movies, and it hopes that the terror of a heat-induced mental breakdown will be enough. If it’s not enough for Psycho, it’s not enough for anybody.