This episode we get together (sort of) to suggest some songs from movies that express the feelings of this year’s lockdown as well as give us some hope for the future. And along the way… we try to find a...
In this episode, Tyler and David are joined by Josh Karp, author of Orson Welles’s Last Movie: The Making of The Other Side of the Wind, to discuss the various cinematic depictions of Welles.
This episode we make good on our previous idea/threat to take two actors and switch their roles and essentially their careers. Ridiculousness ensues. And as we have a few surprise surgeries, we also cover… The Meg, Mandy, Witness, Goldie Hawn,...
Alonso Duralde, podcaster extraordinaire and author of Have Yourself a Movie Little Christmas, returns to IDMB for the annual tradition of Christmas recommendations–this time with a bloody twist. On brand for 2020, Alonso’s recommendations for this year are Christmas horror films and...
In the pantheon of IDMB movies that have befuddled me, there’s Ingmar Bergman’s Persona, Andrei Tarkovsky’s The Mirror, Kim Ki-duk’s The Isle, and now, there’s Andrzej Zulawski’s Possession.
House is uh…an indescribable film. Avant-garde haunted house horror-comedy, Obayashi’s absurdist answer to Jaws is technically innovative, off the wall ridiculous, and a seeming deconstruction of horror archetypes. Also, boring and exhausting (unless you’re Chuck Stephens).
The Killing of a Sacred Deer is a darkly comic tale of moral and social rigidity in which an unseen act brings out the inherent darkness in its protagonist. The balance that Lanthimos strikes between absurdity and horror is superb but...
Benny Krown returns to I Do Movies Badly for the November (and a little bit of December) theme of Highbrow Horror! The guest whose last appearance was to talk about Abbas Kiarostami has equal pretensions on his mind, discussing his relationship with...
This episode we discuss The Babysitter: Killer Queen. This recent comedy/horror is the sequel to the first Babysitter movie we discussed a couple of years ago. The cast returns for this second outing but does the movie hold up? And...
