Category: scott nye

movies / reviews / scott nye / Theatrical Review

March 14, 2019

The Aftermath: Clean-Up, by Scott Nye

The Aftermath is the worst kind of not-good movie – one that flirts with legitimacy, thoughtfulness, and maturity, only to pull the rug out from under you and insist the easiest narrative, told with the least consideration to the conflict...

josh long / movies / new to home video / rita cannon / scott nye

March 5, 2019

New to Home Video 3/5/19

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movies / reviews / scott nye / Theatrical Review

February 28, 2019

Transit: This Isn’t Your Life, by Scott Nye

A breathtaking film that feels at once strikingly original and a perfect example of postmodernism, Christian Petzold’s Transit – based on the 1942 novel by Anna Seghers – resists easy classification, preferring instead to absorb the film movements of both...

2018 / awards / david bax / podcast / premium / scott nye / the BPs / tyler smith

February 19, 2019

The 6th Annual BPs Awards (premium episode)

Tyler, David, and Scott reveal the winners of this year’s BPs Awards! Available for only $1.50! This episode is available to all Patreon tiers free of charge!

movies / reviews / scott nye / Theatrical Review

February 13, 2019

Hotel by the River: White Party, by Scott Nye

It’s nothing but love among Hong Sang-soo fans, but I have noticed at least two factions of sorts crop up in the seven years I’ve been keeping up with his work. The first prizes most his rigidly-structured, more grounded features...

movies / reviews / scott nye / Theatrical Review

February 13, 2019

Birds of Passage: Clear Path, by Scott Nye

Ciro Guerra made a huge splash with his excellent 2015 film Embrace of the Serpent, a hallucinatory epic of colonial history that was at turns tragic and hilarious, meditative and beautiful. His new film, which he co-directed with Serpent producer...

david bax / movies / new to home video / scott nye

February 12, 2019

New to Home Video 2/12/19

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movies / reviews / scott nye / Theatrical Review

February 7, 2019

Holiday: No Escape, by Scott Nye

“Wide shot, long take” has been the default aesthetic for international art house cinema for so long now that its employment – once radical – is now routine. The ease with which a series of auteurs have worn the vitality...