Generally speaking, the problems I’ve had with Michael Bay’s films in the past don’t seem to be the things that most of his detractors point to. In fact, I can boil pretty much all of my distaste for his work...
Robert Zemeckis’ Welcome to Marwen begins with a swirl of Alan Silvestri music that harkens back to the crowd-pleasing movie magic of his 1980s collaborations with the director. It’s a bit of self-consciousness that may nevertheless be fitting; Zemeckis likely sees something...
