Robert Hamer’s It Always Rains on Sunday is, more often than not, advertised or presented as a noir crime film. Certainly the most common image associated with the marketing of the film–a dangerous-looking man (John McCallum) with his hand clasped...
After viewing a decidedly fumbled (though enjoyable) “Good Neighbor” film the previous day with Neptune’s Daughter, it was nice to catch up with Night Flight (1933), a tribute to the South American airmail industry directed by the great Clarence Brown....
