New Orleans’ reputation as a hub for film production is well-established. But there’s a pretty clear dividing line between projects that take more advantage of the tax breaks (like, say, Joseph Kosinski‘s Oblivion) than of the location itself (like, say,...
With its palette of crepuscular light, its mounting paranoia and its offbeat sense of humor, there are things about Lee Chang-dong’s masterful new film, Burning, that seem like they wouldn’t be out of place in a late-career entry from David...