Every Monday, we’ll highlight a piece of writing from our vaults. This review of Super originally ran as a theatrical review. As an audience, we like rooting for the underdog. We like the idea of upsetting the favorite. Something about...
James Mangold is a terrifically talented filmmaker who, since his sophomore feature, 1997’s Cop Land, has been a trusted shepherd of marquee star vehicles, from biopics (Walk the Line) to superhero movies (The Wolverine and Logan) to flashy prestige studio...
