On the Rocks (Sofia Coppola, 2020) (second view; last seen two months ago) Like…every(?) film she’s made, Coppola’s latest is deeper, richer, more nuanced and textured than most of its contemporaries, and the critical consensus is wildly undervaluing its virtues....
Bruce Thierry Cheung’s Don’t Come Back from the Moon stands out less as a coming-of-age story or a portrait of economic malaise than it does as a simple, extended work of tonal discipline. In viewing the movie, you float from...
Bruce Thierry Cheung’s Don’t Come Back from the Moon stands out less as a coming-of-age story or a portrait of economic malaise than it does as a simple, extended work of tonal discipline. In viewing the movie, you float from...