Self-documentation and broadcast is so commonplace now that describing Eugene Kotlyarenko’s Spree as a “found footage” movie is like calling your phone a “cellphone.” It’s a vestigial term that marks the speaker as a remnant of a time when the...
This review originally ran as a part of our AFI Fest 2018 coverage. Stella Meghie’s The Weekend stumbles clumsily out of the gate. To some extent, this might be a matter of personal taste as I can count on one...