STEVEN SODERBERGHTRAFFIC, SEX, LIES, AND VIDEOTAPE, OCEAN’S ELEVEN, OUT OF SIGHT, THE LIMEYIt is difficult describing a Soderbergh film, even though his films are immediately recognizable. He moves from genre to genre seamlessly, never repeating himself. While he changes genre with each film, it is his approach to that genre that makes him such an impressive filmmaker. From the tragic and beautiful sci-fi film Solaris to his corporate comedy The Informant!, his films are always fresh. As rumours and confirmations of his retirement have been spreading, we as cinema fans can only hope that he will return to the medium and continue creating beautiful and challenging films.See the full list HERE.
STEVEN SODERBERGHTRAFFIC, SEX, LIES, AND VIDEOTAPE, OCEAN’S ELEVEN, OUT OF SIGHT, THE LIMEYIt is difficult describing a Soderbergh film, even though his films are immediately recognizable. He moves from genre to genre seamlessly, never repeating himself. While he changes genre with each film, it is his approach to that genre that makes him such an impressive filmmaker. From the tragic and beautiful sci-fi film Solaris to his corporate comedy The Informant!, his films are always fresh. As rumours and confirmations of his retirement have been spreading, we as cinema fans can only hope that he will return to the medium and continue creating beautiful and challenging films.See the full list HERE.
