Since I began writing films reviews, I have had a constant feeling in the back of my head that I was not critical enough. Too often I have had such a visceral joy after seeing a film that I was unable to see the faults within, leaving the review all too positive. As I recently decided I wanted to change that, I kept it in mind as I watched Andrea Arnold’s sophomore effort, Fish Tank. While I wanted to be able to write a more critical review, Arnold’s film, unfortunately, only gave me one more reason to write a positive review.The film tells the story of a poor teenage girl, Mia, living in an Essex council estate with her single mother and little sister. To try to summarize the plot would simply be listing events in an order which would make the film seem tired and boring. The film is anything but that. The energy and beauty that Arnold is able to capture, leaves the audience both emotionally engaged and guessing where the film will go next. The story has been told many times before, yet this film feels entirely fresh.As we first meet Mia, played by newcomer Katie Jarvis, we see a girl who feels entirely disconnected from the world. The few moments of joy come from secretly practicing dance in an empty flat. Her mother is more interested in her friends and partying than she is with her kids, who as we see, are in desperate need of attention. The film would simply not work without Katie Jarvis, who as the story goes, was cast when the director saw her in a screaming match with her boyfriend. The realism she is able to bring to the screen makes the film feel authentic.It seems Mia’s life will never change, but when her mother brings home a new boyfriend, Connor, played brilliantly by Michael Fassbender, things seem to change. Connor and Mia appear to instantly connect, and Mia begins to open up. The interesting part of the film is not where the film goes, but how it gets there. The way characters react to certain situations is uniquely real, we may have seen these situations before, just not these reactions or consequences.Too often, coming-of-age films set in poor or rural areas, use there surroundings as excuses for ignoring the cinematography and look of the film. Arnold’s eye for finding beauty within the most awful of situations is outstanding. From a visual stand-point, it is impossible to take your eyes off the screen. At first the choice of shooting the film in 4:3 ratio is distracting and slightly off putting, however once you become accustomed to this change, the choice is quite brilliant. The feeling of claustrophobia begins to mount as the suspense ramps up, and the aspect ratio has a large part in this.It seems that a large percentage of my favorite filmmakers are the ones that are able to take the ugliest aspects of life and find beauty in them. That isn’t to say that they are making light of bad situations, but rather they can capture what is naturally beautiful about any location or situation. Like David Gordon Green and Lynne Ramsay before her, Andrea Arnold has become one of the few filmmakers who is able to capture such beauty. Fish Tank is a film that reminds me of why I write about film and love it more than any other art form. My goal may have been to be more critical of film, but Fish Tank proves that there are certain films that deserve only high praise.
Nice review and completely agree! I loved this film. LOVED! I want Jarvis to make another film. It saddens me that there are no upcoming films on her IMDB page.
Great review. I do not fancy myself a critic, but I like discussing/dissecting films with friends and I have had the same struggle that you mention. Some film experiences just create so much joy that you are left with an overall positive experience making it tough to start picking it apart. In my case, once I start picking some things apart, I can talk myself out of liking the whole thing. It was actually not until I started listening to film podcasts in the past 2 years that I learned how to love a film and examine its faults without losing my enjoyment of it.
As for Fish Tank, I watched it on Netflix Instant last night after falling in love with Michael Fassbender in Jane Eyre last weekend. I loved it so much I watched it again this morning and had a different take on certain situations the second time around. I had no idea what it was even about and it was one of the most pleasant surprises I have had in a while. Jarvis was incredible and Fassbender proved on par with Peter Sarsgaard at playing men that walk the line between sexy and creepy, desirable and loathsome. I was pleasantly surprised that a film that could have been completely character driven had such interesting visual choices. The lighting in many scenes really set a tone and the way the camera followed Mia or showed her P.O.V. made it incredibly intimate.
Your comment about walking the line between creepy and sexy, desirable and loathsome I think is key for the film. I actually didn’t get into that in my review, but I realize I should have.
Without getting into too many details, Fassbender walked such a fine line with this film. He was like a father for so much of the film that when he begins to seem creepy, it has all the more impact. His performance is fantastic and, along with Jarvis’, push the film from good to great.
Very nice review. I’m glad you commented on the visual style of the film; I thought the cinematography was so stark and beautiful. It was nice to see that a filmmaker can tell the story with the pictures as well as the words and actors.
I highly recommend her first film, Red Road, for anyone who has not seen it and enjoyed this film.
Since I began writing films reviews, I have had a constant feeling in the back of my head that I was not critical enough. Too often I have had such a visceral joy after seeing a film that I was unable to see the faults within, leaving the review all too positive. As I recently decided I wanted to change that, I kept it in mind as I watched Andrea Arnold’s sophomore effort, Fish Tank. While I wanted to be able to write a more critical review, Arnold’s film, unfortunately, only gave me one more reason to write a positive review.The film tells the story of a poor teenage girl, Mia, living in an Essex council estate with her single mother and little sister. To try to summarize the plot would simply be listing events in an order which would make the film seem tired and boring. The film is anything but that. The energy and beauty that Arnold is able to capture, leaves the audience both emotionally engaged and guessing where the film will go next. The story has been told many times before, yet this film feels entirely fresh.As we first meet Mia, played by newcomer Katie Jarvis, we see a girl who feels entirely disconnected from the world. The few moments of joy come from secretly practicing dance in an empty flat. Her mother is more interested in her friends and partying than she is with her kids, who as we see, are in desperate need of attention. The film would simply not work without Katie Jarvis, who as the story goes, was cast when the director saw her in a screaming match with her boyfriend. The realism she is able to bring to the screen makes the film feel authentic.It seems Mia’s life will never change, but when her mother brings home a new boyfriend, Connor, played brilliantly by Michael Fassbender, things seem to change. Connor and Mia appear to instantly connect, and Mia begins to open up. The interesting part of the film is not where the film goes, but how it gets there. The way characters react to certain situations is uniquely real, we may have seen these situations before, just not these reactions or consequences.Too often, coming-of-age films set in poor or rural areas, use there surroundings as excuses for ignoring the cinematography and look of the film. Arnold’s eye for finding beauty within the most awful of situations is outstanding. From a visual stand-point, it is impossible to take your eyes off the screen. At first the choice of shooting the film in 4:3 ratio is distracting and slightly off putting, however once you become accustomed to this change, the choice is quite brilliant. The feeling of claustrophobia begins to mount as the suspense ramps up, and the aspect ratio has a large part in this.It seems that a large percentage of my favorite filmmakers are the ones that are able to take the ugliest aspects of life and find beauty in them. That isn’t to say that they are making light of bad situations, but rather they can capture what is naturally beautiful about any location or situation. Like David Gordon Green and Lynne Ramsay before her, Andrea Arnold has become one of the few filmmakers who is able to capture such beauty. Fish Tank is a film that reminds me of why I write about film and love it more than any other art form. My goal may have been to be more critical of film, but Fish Tank proves that there are certain films that deserve only high praise.
Nice review and completely agree! I loved this film. LOVED! I want Jarvis to make another film. It saddens me that there are no upcoming films on her IMDB page.
Actually she is working on an adaptation of Wuthering Heights.
Great review. I do not fancy myself a critic, but I like discussing/dissecting films with friends and I have had the same struggle that you mention. Some film experiences just create so much joy that you are left with an overall positive experience making it tough to start picking it apart. In my case, once I start picking some things apart, I can talk myself out of liking the whole thing. It was actually not until I started listening to film podcasts in the past 2 years that I learned how to love a film and examine its faults without losing my enjoyment of it.
As for Fish Tank, I watched it on Netflix Instant last night after falling in love with Michael Fassbender in Jane Eyre last weekend. I loved it so much I watched it again this morning and had a different take on certain situations the second time around. I had no idea what it was even about and it was one of the most pleasant surprises I have had in a while. Jarvis was incredible and Fassbender proved on par with Peter Sarsgaard at playing men that walk the line between sexy and creepy, desirable and loathsome. I was pleasantly surprised that a film that could have been completely character driven had such interesting visual choices. The lighting in many scenes really set a tone and the way the camera followed Mia or showed her P.O.V. made it incredibly intimate.
Your comment about walking the line between creepy and sexy, desirable and loathsome I think is key for the film. I actually didn’t get into that in my review, but I realize I should have.
Without getting into too many details, Fassbender walked such a fine line with this film. He was like a father for so much of the film that when he begins to seem creepy, it has all the more impact. His performance is fantastic and, along with Jarvis’, push the film from good to great.
Very nice review. I’m glad you commented on the visual style of the film; I thought the cinematography was so stark and beautiful. It was nice to see that a filmmaker can tell the story with the pictures as well as the words and actors.
I highly recommend her first film, Red Road, for anyone who has not seen it and enjoyed this film.