After the rigorously-structured Pauline at the Beach, Éric Rohmer could be forgiven for indulging in a breezy film about Parisian night life, which by all appearances seems to describe Full Moon in Paris. Whether one looks at modern, release, or...
Rohmer departs from his convention in two significant ways with 1983’s Pauline at the Beach. It is his first film featuring a teenage protagonist, and, not coincidentally, it is his first with a passive one as well. Most films about...
The second in Eric Rohmer’s “cycle” of Comedies and Proverbs, A Good Marriage (1982) begins with the question, “Can any of us refrain from building castles in Spain?” For Sabine (Béatrice Romand), her castle is marriage. Fed up with her...
Oh, what a difference a pen can make… François (Phillipe Marlaud) has several problems before him – he’s working a dull job at night so he can attend a few classes by day, all of which prevents him from seeing...
I hadn’t intended to take such a long break in this series, but as the next film up – The Marquise of O (1976) – left me thoroughly befuddled, I had hoped the following film – Perceval le Gallois (1978) – might...
In Claire’s Knee, Rohmer expanded the general “a committed man is tempted to stray” template that guides the Moral Tales from a single woman catching a man’s eye to three women, recognizing that, once shaken, a man will look just...
So far in this series, I’ve yet to touch on the importance of career in Rohmer’s films, but then it’s only the sort of thing that starts to make sense in retrospect. His protagonists in Bakery Girl and Suzanne’s Career...
My Night at Maud’s, released in 1969 in France and 1970 in America, was Eric Rohmer’s true crossover hit. Not only his first film to be released in this country, it achieved such success in the art houses that it...
From the very first frames, we’re in uncharted territory for Rohmer. In full color, a young bikini-clad girl walks along a beach. The sun is shining, the waves lap upon the shore. There is no voiceover, and the sounds –...
As with The Bakery Girl of Monceau, the 54-minute Suzanne’s Career finds a young man who has committed himself to one woman suddenly involved and obsessed with another. Bertrand (Philippe Beuzen) is a rather shy sort of fellow, having not...