For a long time my relationship with 2018’s cinematic offerings resembled that of the protagonist of a romantic comedy who fell in love with his best friend: I was always looking for something that would sweep me off my feet...
It’s pretty difficult to boil the life and work of Buckminster Fuller down to one idea and, to its credit, Peter Livolsi’s The House of Tomorrow, whose protagonist is a boy raised almost entirely on Fuller’s teachings, doesn’t try to...