Without a doubt, the coolest thing in Benoît Jacquot’s Suzanna Andler, after Charlotte Gainsbourg, is the quality of the light. I mean that literally. Despite its late spring/early summer setting, the sunshine looks downright cold. Gainsbourg, even with her slight...
Benoît Jacquot makes a lot of movies. His newest, Casanova, Last Love, is the fourth I’m reviewing for this site in the last ten years and that doesn’t even represent half of his output in that time. Given his prolificity...
