“I’m not militant, I simply make films that are not colonized, that have not been filtered through the language of men, and that’s a matter of confidence… I’m 27 now, and I have everything to gain… I think I’m making...
For a long time, I had very little interest in seeing Bullitt, a movie I snobbishly thought of as a Steve McQueen vanity project, something he reverse engineered from the idea for a car chase scene. I softened my stance...
Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, when described, sounds more like an experiment than a film. Or, worse, it sounds like a parody of European arthouse pretensions. In reality, though, it’s more like ambient drone music or...
