Every Monday, we’ll highlight a piece of writing from our vaults. This review of Summer of 85 originally ran as a theatrical review. Even before any images appear onscreen, François Ozon’s Summer of 85 is alive. Shot on 16MM film, the grain...
There’s a distinction to be made, for what it’s worth, that François Ozon’s new film, Peter von Kant, is not technically an adaption of Rainer Werner Fassbinder’s 1972 film The Bitter Tears of Petra von Kant but rather a new...
Even before any images appear onscreen, François Ozon’s Summer of 85 is alive. Shot on 16MM film, the grain swims about on a black screen just before an instrumental cover of The Cure’s “Just Like Heaven” kicks in and plays...
