There’s a distinction to be made, for what it’s worth, that François Ozon’s new film, Peter von Kant, is not technically an adaption of Rainer Werner Fassbinder’s 1972 film The Bitter Tears of Petra von Kant but rather a new...
In the pantheon of IDMB movies that have befuddled me, there’s Ingmar Bergman’s Persona, Andrei Tarkovsky’s The Mirror, Kim Ki-duk’s The Isle, and now, there’s Andrzej Zulawski’s Possession.
