Justin Chon made his name as a director with 2017’s deceptively lean, semi-autobiographical Gook, a film that set itself apart from the indie pack with indelible images in searing black and white. Chon’s new film, Blue Bayou, in which he...
Like so many Wayne Wang films, Coming Home Again is deceptively, almost detrimentally, slight. Perhaps one of the least pretentious directors working today, he has once again made a film that is sly in its straightforwardness, ultimately overcoming its occasional...
