Sound was introduced into cinema in a mainstream, commercial way in 1927 and it’s always felt a little ironic and a little tragic that so many of the greatest silent films were made just as the silent format was being...
L’Argent was to be Robert Bresson’s final feature. If you’re worried, for some reason, that he switched up his style for his last hurrah, allow me to assuage your fears. He employs the same (surprisingly deep and emotional) flat affect as...