Tagged: matt warren

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Sundance 2012- Day Five

As my time at Sundance 2012 limped across the finish line, I felt an all-too-predictable mixture of both sadness and relief. Part of me, of course, wants to live inside this insane bubble forever, rushing from venue to venue, buzzing...

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Sundance 2012- Day Four

And we’re back! Following Day Three’s snow-related travel complications, Sundance Day Four was clear, bright, and warm—perfect weather for watching movies indoors. By now I’m sure you’re sick of hearing me go on and on about how I go clomping...

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Sundance 2012- Day Three

Day Three of Sundance was a bit of wash, thanks to what I will hereafter refer to as “Snowpocalypse Now.” I’ve been staying at my parents’ house in Midway, UT, a few miles past Park City proper down the dark...

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Sundance 2012- Day Two

One of the harshest realities about Sundance—especially for people visiting for the first time—is just how fucking hard it is. In many ways, the festival works against comfort and convenience. When you’re outside, it’s too cold. When you’re indoors, it’s...

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Sundance 2012- Day One

I’ve never been to Cannes (too cosmopolitan), Tribeca (too East Coast-y), or Toronto (too socialist), but I have been to Sundance. A lot. Growing up a film-obsessed art dork in Park City, Sundance’s arrival every January felt almost too good...

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Movie Recommendation- The Swimmer

THE SWIMMER (1968) The Swimmer is an imperfect movie, but one that looms large in my memory, as it likely does for anyone who, like me, wandered into the film expecting a tepid 1960s literary adaptation and walked out chilled...

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Movietome- Peter Biskind’s Easy Riders, Raging Bulls

Welcome back to Movietome, my long-running, frequently-updated look at the weird, wild, and sometimes libelous world of film industry literature. As promised in my last/first Movietome outing, today we’ll be tackling Peter Biskind’s classic movie brat tell-all Easy Riders, Raging...

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Clean Getaway, by Matt Warren

Nicholas Winding Refn’s Drive opens this Friday seemingly readymade for cult status. Whether or not it it’s a hit at the box office, the film’s perfect storm of stylish neo-noir genre trappings, pedigreed cast, stellar advance notices, and intangible “cool...

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