Every Monday, we’ll highlight a piece of writing from our vaults. This review of The Eternal Daughter originally ran as part of our TIFF 2022 coverage. In Joanna Hogg‘s previous feature, the two-part The Souvenir, Tilda Swinton played mother to her real life daughter, Honor Swinton...
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Die, Monster, Die! originally ran as a home video review. Daniel Haller’s 1965 film, Die, Monster, Die!, (also released as Monster of Terror) is a quintessential, if unimpressive, American...
One of the most rewarding endeavors in the world of film criticism and academia is that of reassessment. That is, to look deeper into a movie from a distance and with the benefit of hindsight. In doing this, it allows...
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Tom at the Farm originally ran as a theatrical review. At only 26, Xavier Dolan has already left a mark on world cinema with his five...
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Last Year at Marienbad originally ran as part of our top 100 movies list. Last Year at Marienbad is about two people whose relationship is incredibly complicated....
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Apocalypse Now originally ran as part of our Top 100 movies list. The strange thing about war is that, even when you’re doing everything right, you’re...
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Hammett originally ran as a Criterion Prediction. Wim Wenders’ Hammett is a strange case. The very concoction seems off. Wenders had flirted with the noir territory with The American...
One of the big box office hits of 2001, Alejandro Amenábar’s The Others is a love letter to gothic horror with its post-WWII British setting, spooky production design, melodramatic tone, and haunting storytelling that engages audiences with scares, grief, and...
Listen, I’ve never been the type of person who’s good at guessing what the twist is gonna be in a movie. On the other hand, I’m not necessarily bad at it either. It’s more that I just don’t care to...
Every Monday, we’ll highlight a piece of writing from our vaults. This review of Ride the Pink Horse originally ran as a home video review. From the first moments, it’s clear that Robert Montgomery’s Ride the Pink Horse will not quite be...