To call Rupert Everett’s The Happy Prince a vanity project would be both obvious and an understatement. It’s not just that he’s used his long fought for directorial debut to give himself the role he feels he was meant to...
To call Rupert Everett’s The Happy Prince a vanity project would be both obvious and an understatement. It’s not just that he’s used his long fought for directorial debut to give himself the role he feels he was meant to...
