Craig Johnson’s Wilson (based on the graphic novel by Daniel Clowes and adapted by the author) begins with a sequence of its protagonist awakening to a new day while musing in voiceover narration about his quirky take on the world we live in and life in general. It’s not unlike the opening scenes of Ferris Bueller’s Day Off. Sure, Wilson (Woody Harrelson) is a middle-aged loner and not a charismatic high schooler. And, yes, his philosophy is less “Life moves pretty fast, if you don’t stop and look around once in a while, you could miss it” and more “Life is lonely and miserable.” And Wilson unfolds over the course of painful years, not one wacky day. But, at their core, both movies are about oddballs who are resolute in their outlook despite external influences. And both movies are a bit uneven.