Not having previously seen any of director Rebecca Zlotowski‘s work (an error I now intend to correct), I had no way of knowing, as Other People’s Children started, what good hands I was in. So when the opening shots included...
I can hardly imagine when melodrama hasn’t excited me, nor indeed a time when it hasn’t been casually dismissed; either as an easy shorthand for emotive performance, or as a genre entirely. As the cultural pendulum has swung more and...