Category: monday movie

0

Monday Movie: At Eternity’s Gate, by Scott Nye

Every Monday, we’ll highlight a piece of writing from our vaults. This review of At Eternity’s Gate originally ran as a theatrical review. Probably about midway through At Eternity’s Gate – but really, who can say how deep into this meandering, thoroughly...

0

Monday Movie: American Reunion, by David Bax

Every Monday, we’ll highlight a piece of writing from our vaults. This review of American Reunion originally ran as a theatrical review. When American Pie came out in 1999, it was a shaggy dog comedy with a cast of unknowns that had...

0

Monday Movie: The Promotion, by David Bax

Every Monday, we’ll highlight a piece of writing from our vaults. This review of The Promotion originally ran as a theatrical review. Steve Conrad’s The Promotion has made me rethink my position on Garden State. Stylistically, Zach Braff’s directorial debut...

0

Monday Movie: Gun Crazy, by Alexander Miller

Every Monday, we’ll highlight a piece of writing from our vaults. This review of Gun Crazy originally ran as a Criterion Prediction. At the risk of sounding too precious or lofty I’d like start by saying Gun Crazy is like Baby Bear’s...

0

Monday Movie: Die, Monster, Die!, by Chase Beck

Every Monday, we’ll highlight a piece of writing from our vaults. This review of Die, Monster, Die! originally ran as a home video review. Daniel Haller’s 1965 film, Die, Monster, Die!, (also released as Monster of Terror) is a quintessential, if unimpressive, American...

0

Monday Movie: Eating Raoul, by Kyle Anderson

Every Monday, we’ll highlight a piece of writing from our vaults. This review of Eating Raoul originally ran as a home video review. Part of what I love about the Criterion Collection is its assertion that release “important” films, not...

0

Monday Movie: Summer of 85, by David Bax

Every Monday, we’ll highlight a piece of writing from our vaults. This review of Summer of 85 originally ran as a theatrical review. Even before any images appear onscreen, François Ozon’s Summer of 85 is alive. Shot on 16MM film, the grain...

Verified by MonsterInsights